I’m just going to start with the conclusion first: Turncoats is a masterful game. I received a copy for my birthday a couple of weeks prior to writing this review, and I’ve played it at least a few dozen times, and taught 15-ish people how to play. It plays well at all player counts, and even with a full complement of five players — including teaching — it rarely has a playtime of longer than 45 minutes.
The rules are simple; honestly, it’s simpler than a lot of party games (and this isn’t a party game). You spread a cloth map out between all players. The map has eleven equal regions arranged around a twelfth mountain area (the mountain serves only as a barrier to the other regions and cannot be played upon). There are three colors of beads — red, black, and blue — each of which has a home region on the map. Place two beads of these colors on their respective home regions, then place two random beads on all other regions. The board also has an area with an axe and an area with a flag, and I’ll get to those in a bit. Each player draws eight beads secretly, a first player is determined, and play begins.
On a turn, a player can perform one of four actions: They can place a bead from their hand onto any region; they can place a bead onto the axe (a Battle action), then choose a region containing that bead’s color and remove a number of opposing beads equal to the played color in that region; they can place a bead onto the flag (a March action), then choose a region containing that bead’s color and move one or more beads of that color to an adjacent area; or they can Negotiate by pulling a bead from the bag, looking at it, then selecting any bead from their hand, showing it to the table, and placing it back into the bag.
Once all players have negotiated consecutively, the winning color is assessed. If a color has a majority in a zone, it controls it. If there is a tie, whichever color has more beads on the axe controls it. If there is another tie, whichever color has more beads on the flag controls it. Whichever color controls the plurality of regions wins.
But here’s the thing: players aren’t assigned a color. A player wins if they’ve held onto the greatest number of the winning-colored beads, and in the case of a tie, has the fewest number of losing-colored beads. At the beginning of the game, you may have many beads of one color, and as a result have a great deal of influence when playing those beads. But, as you’re playing beads and exerting influence for that color, you’re potentially putting yourself at a disadvantage at the end of the game by having fewer beads of that color in your hand than an opponent that played that color more conservatively. So, instead, you’ll have to employ actions for your non-dominant colors in a way that weakens those colors’ power while not tipping your hand to other players as to how you really want the power to shift.
There’s deduction, there’s bluffing, there’s area control, and primarily there’s this amazing sense that you’re not playing the role of the pieces on the board — you’re playing some external political force manipulating an unstable abstract geographical region.
To top it all off, all copies of the game are handmade by Swedish designer Matilda Simonsson. The game itself comes in the form of a drawstring pouch containing all pieces (the pouch opens to become the cloth map the game is played upon). All beads, the smaller drawing bag for the beads, and the extremely short rulebook fit neatly within the closed map for storage and transport. It’s fashioned specifically to accompany renaissance faire costuming, worn easily on a belt.
The game’s designer has made the game available for online play (https://screentop.gg/@MildaMatilda/Turncoats), but if you’re reading this, come out to a TAG event and I’ll teach it to you; I always have it on me.
Designed by: Matilda Simonsson
Playtime: 30-45 minutes
Time to Learn: 15 minutes
Complexity: 3/5
Replayability: 5/5
MSRP: $30